Where the grass grows tall is where I lie
Pondering things laid ahead
I am supine and drunk on Rye,
Don’t think I made my bed
Though the marsh’s sweaty fields supreme,
I felt but never knew it
And all the days blend in like dreams
You’ll rid the world of nuisance
So cock the barrel back once more,
I know that you will pull it
Cause in the end I’m just a whore
and you adorn the pulpit
Dutch Baroque painter Judith Leyster created this dynamic 35-by-28-inch composition entitled “The Last Drop” in 1609, using oil on canvas, the prevalent artists’ medium of the era. The painting is striking in its apparent simplicity, but a deeper look reveals to viewers the visual complexities beneath the surface, which give way to an intricate underlying theme. Leyster ultimately uses her piece as a vehicle to warn viewers against a life of indulgence and sin, specifically through visual juxtaposition, illusionistic realism, deliberate body language, and color.
The first thing a viewer notices about this piece is the stark contrast between the…
Oh the messes we made
The troubles it caused
In the end I’m your slave
Held down by your awe
Head fixed on your binds
I go out to the fields
Clouded cotton-ball minds;
The work barely yields
But two too young lovers
Dripping passion, I bet
But behind clouded minds
Is that hint of regret
So part ways we must
I’ll wait it out till when
For in the end it’s just lust
And we’ll find it again
Writer, Artist, Poet, Dummy